ACDC - Back In Black DTS 3

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 AC/DC - Back In Black DTS
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Artist...............: AC-DC
Album................: Back In Black
Genre................: Hard Rock
Source...............: Lossless/flac
Year.................: 1980
Burn test............: 11/17/2012
Channels.............: 5.1 / 44100 HZ / 16 Bit
Included.............: WAV, CUE, NFO, Cover
Posted by............: MrMalikai on 3/13/2010, 10/7/2012, 11/17/2012
Information..........: Play It Loud

If you have downloaded my Back In Black DTS before 11/17/2012 and it wont play, delete it 
and download this copy. Sorry for any inconvenience!
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 Tracklisting
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 1. (00:05:13) AC-DC - Hells Bells
 2. (00:05:18) AC-DC - Shoot To Thrill
 3. (00:03:36) AC-DC - What Do You Do For Money Honey
 4. (00:03:32) AC-DC - Given The Dog A Bone
 5. (00:04:15) AC-DC - Let Me Put My Love Into You
 6. (00:04:16) AC-DC - Back In Black
 7. (00:03:30) AC-DC - You Shook Me All Night Long
 8. (00:03:59) AC-DC - Have A Drink On Me
 9. (00:04:06) AC-DC - Shake A Leg
 10. (00:04:15) AC-DC - Rock And Roll Ain't Noise Pollution

Playing Time.........: 00:42:00
Total Size...........: 302.09 MB
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It's a stereo to DTS 5.1 conversion. Burn it to a standard CD-R.
Can be played on home theater systems that have a DTS decoder
and on PC's with the software to play DTS.
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The first sound on Back in Black is the deep, ominous drone of church bells --
or "Hell's Bells," as it were, opening the album and AC/DC's next era with a
fanfare while ringing a fond farewell to Bon Scott, their late lead singer who
partied himself straight to hell. But this implies that Back in Black is some kind
of tribute to Scott, which may be true on a superficial level -- black is a funeral
cover, hell's bells certainly signify death -- but this isn't filled with mournful
songs about the departed. It's a more fitting tribute, actually, since AC/DC not
only carried on without him, but they delivered a record that to the casual ear
sounds like the seamless successor to Highway to Hell, right down to how Brian
Johnson's screech is a dead ringer for Scott's growl. Most listeners could be
forgiven for thinking that Johnson was Scott, but Johnson is different than Bon.
He's driven by the same obsessions -- sex and drink and rock & roll, basically --
but there isn't nearly as much malevolence in his words or attitude as there was
with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp
throughout Back in Black, which helps give it a real party atmosphere. Of course,
Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm
carry on with the song-oriented riffing that made Highway to Hell close to divine.
Song for song, they deliver not just mammoth riffs but songs that are anthems,
from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales
only next to "You Shook Me All Night Long," the greatest one-night-stand anthem
in rock history. That tawdry celebration of sex is what made AC/DC different from
all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy
party, and they never held a bigger, better party than they did on Back in Black.