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<pre class="nfo">The Avant Garde Project is an effort to make available some of my <br />
favorite pieces of experimental music from the late 20th century. <br />
The extremist intellectual climate of that time gave birth to some of <br />
the wildest and most challenging sound combinations that human artistry <br />
has ever conceived. The pieces selected for this project were released <br />
on LP but have never been released on CD, and so they are effectively <br />
inaccessible to the vast majority of music listeners today. Using an <br />
analog rig and pre-amplification that is near state-of-the-art, I am <br />
able to extract the sound from the grooves with almost none of the <br />
surface noise and tracking distortion normally associated with LPs. <br />
<br />
I am hoping you will find this material as fascinating and beautiful as <br />
I do. My hard disk is small, and so I am seriously limited as to how <br />
many torrents I can host at one time. If you find any value in your <br />
downloads, I ask you please to seed them yourself for as long as <br />
possible, so they will continue to be available to other people. Some <br />
or all of the earlier AGP torrents are still being seeded through the <br />
generosity of other downloaders, so check them out if you haven't <br />
already. A mininova.org search for "avant garde project" will direct <br />
you to them.<br />
<br />
NOTE: My computer has been acting up, so I haven't been seeding for the <br />
past few days. With any luck, it will hold up long enough to complete<br />
the first downloads of this torrent, after which others can take over <br />
the seeding. If not, please bear with me as I'm expecting a new <br />
computer within a week, and I will resume seeding then. At that point, <br />
I will also be able to resume seeding some of the first AGP torrents, <br />
for anyone who missed getting them when they were first offered. Stay <br />
tuned for further details.<br />
<br />
==========================<br />
<br />
The seventh AGP torrent features the music of Ezra Sims, an American <br />
composer who rebelled against the tonal impurities of well-tempered <br />
tuning, and developed his own 18-note scale based on a division of the <br />
octave into 72 intervals. This heterodox scale enabled him to compose <br />
for more purely tuned intervals, as well as to explore microtonality. <br />
The tuning of these pieces takes some getting used to, but it <br />
considerably expands the range of harmonies that Sims is able to exploit. <br />
<br />
The first three pieces are written for violin alone, violin and viola, <br />
and viola alone. The spare instrumentations facilitate one's introduction <br />
to Sims' idiosyncratic tuning. The last is for a sextet of violin, <br />
viola, cello, clarinet, saxophone, and french horn. It is nominally <br />
based on Louis Armstrong's performance of St. James Infirmary. To help <br />
the listener draw whatever connections they can between the two pieces, <br />
I have included Armstrong's first recording of that piece, from <br />
December 12, 1928.<br />
<br />
These four compositions make up Northeastern Records NR 224. Other <br />
recordings of Sims' works on CD are available through www.frogpeak.org, <br />
including recordings of all of the other Sims pieces I could find in my <br />
stacks. The recorings in this torrent are listed on their website as <br />
being still available on LP, but I queried Frog Peak Music about this <br />
and was told that they have no more copies, so I am assuming they are <br />
now out of print. <br />
<br />
Equipment used for A/D conversion: Lyra Helikon phono cartridge, Linn <br />
LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm <br />
cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio <br />
Audiophile USB A/D converter. <br />
<br />
01 - all done from memory [7:49]<br />
02 - two for one [11:45]<br />
03 - and as I was saying [5:27]<br />
04 - sextet [21:47]<br />
05 - Louis Armstrong: St. James Infirmary [3:20]<br />
<br />
NOTE: To the best of my knowledge, these recordings are currently out <br />
of print. If you know otherwise, please let me know ASAP, as I do not <br />
wish to deprive any artists of their much-deserved royalties (however <br />
paltry).</pre>
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