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__________________<br />
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`-----------------------:----': design.by.ant1k: __ ____ _______<br />
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|__|__|__|__|_____|: | :: _______________/_<br />
/: _ rippers /____: release no ( 9894 ) rating |: \_____. |: artist (Temper D vs Cooh ) | .---. |: title (Chess Boxer / Adons ) | 0 | | |: record label (Temper D Productions (TDPV003) ) | 9 | | |: genre (Drum & Bass ) | 8 | | |: release date (2008/12/12) | 7 |%%%| |: street date (2008/??/??) | 6 |%%%| |: | 5 |%%%| |: media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |: cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| |: | 2 |%%%| |: | 1 |%%%| |: (02 tracks) (11:14 min) ( 16.7 mb) | `---' |: `----------': _. ____ ____ ____ __<br />
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|_____|__|__|_____|_____|__|__|: | :: nr times track titles<br />
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| A 5:55 Temper D - Chess Boxer |<br />
| B 5:19 Cooh - Adons |<br />
`----^-------^--------------------------------------------/ |<br />
/____________________|: ____ ____ __. ____ ____ ____ ____<br />
_ )_( _ /_ |___( _ /_\__ )_( __/_( _ /_: | _ _/ /___/ | / /___/ _ |___ / /___/: | :<br />
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| | | | | | | | | | | | | | | | r e l e a s e n o t e: |<br />
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| | stholdings: | |<br />
| | | |<br />
| | SIDE A Temper D - Chessboxer: Temper D | |<br />
| | keeps the label on a high with a high energy | |<br />
| | acid driven stomper, gradually building and | |<br />
| | tweaking its way into old skool stabs and sub | |<br />
| | heavy reeces. The tune has been a firm | |<br />
| | favourite in the sets of Offkey heads Raiden, | |<br />
| | Proket and The Sect, and also been supported | |<br />
| | by the likes of Future Prophecies. Even | |<br />
| | Pendulum got in touch with the label about | |<br />
| | this one! SIDE AA Cooh - Adons: Cooh is one | |<br />
| | of the hottest properties around at the | |<br />
| | moment, with every label from Position | |<br />
| | Chrome, Commercial Suicide and Offkey after a | |<br />
| | piece of the action. This particular track | |<br />
| | comes squarely under the 'techno dnb' | |<br />
| | bracket, and is one for the headbangers crew. | |<br />
| | In the top tens of almost everyone who has a | |<br />
| | penchant for the techno sound, a LOT of | |<br />
| | people have been waiting for this! | |<br />
| | | |<br />
`-------+- +-------`: __. ____ _____ ____ __<br />
|___( _ /_ _/_\__ )_ |___: / | / /___/ | / _ | | /: | . :<br />
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| | | | | | | | | | | | d i s c l a i m e r: |<br />
`--| | | | | | | | | | |----------------------------------+--+--+---'<br />
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|__|__|_____|_____|_____|_____|: | :: | |<br />
| This release may contain copyrighted material, however SOUR guarantees |<br />
| that this material was at least available to one person "on the street" |<br />
| and that the possession of this material is in no way privileged. |<br />
| |<br />
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |<br />
| the internet drum'n'bass public since summer 1999. Originally a small |<br />
| operation, we have now reached levels of international acclaim. |<br />
| |<br />
| SOUR is dedicated to both the availability and promotion of music to the |<br />
| public, and our rips are intended to reflect these ideals. Specifically: |<br />
| |<br />
| . SOUR is dedicated to the promotion of new music that is currently |<br />
| available to buy. If you like something you hear, you are obliged to |<br />
| attempt to purchase an original copy. |<br />
| |<br />
| . SOUR is dedicated to the promotion of old music that may no longer be |<br />
| available to buy. |<br />
| |<br />
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |<br />
| worldwide! We provide a service where none is available, specifically in |<br />
| many remote countries where traditional distributors can not afford to |<br />
| target. Also, the availability of drum'n'bass in an easily accessible |<br />
| form expands the potential for real world sales to people who may not |<br />
| otherwise have considered buying drum'n'bass. |<br />
| |<br />
| . SOUR is dedicated to the expansion of the online and offline real world |<br />
| scenes. With more listeners enjoying what they hear, clubs and venues can |<br />
| only expect MORE people to attend events; DJ's can only expect MORE |<br />
| people to pay to see THEM. |<br />
| |<br />
| By accident of today's current real world distribution arrangements, many |<br />
| artists will find that SOUR releases IMPROVE their real world sales; |<br />
| especially for items only on vinyl. This is the basis upon which SOUR |<br />
| operates. |<br />
| |<br />
`---------------------------------------------------------/ |<br />
/____________________|: sour productions(c) 1999-2008
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