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Q-Tip_-_The_Renaissance-2008-YSP

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  • Added:
    10/25/2008
  • Last check:
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    <pre> ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃñ ò²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃò ± ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ° ÃÃÃÃÃÃÃÃÃÃÃÃÃà °ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃà ÃÃÃÃÃò±° Ãð° °²ÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃà ° ÃÃò²²²²²²±±°° Ãà ÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃò ò°ÃÃò²ÃÃà ÃÃÃÃÃÃÃò° ÃÃÃÃÃÃÃÃò° ÃÃÃÃÃÃÃÃà ÃÃÃò²²ÃÃà ÃÃÃÃÃò° ²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà °±²²²²ÃÃÃÃÃò° ÃÃÃÃÃÃà ²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà à à à ÃÃÃÃÃÃÃÃÃà ÃÃÃà à ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ò²Ãà ÃÃÃÃÃÃÃÃÃÃÃÃà à ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃò²²²ÃÃÃà à ÃÃÃÃÃÃÃÃÃÃÃð Ã²à ²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃò° ÃÃà Ã²à °²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà °²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃòÃÃÃà °ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃðÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃÃòÃÃÃò 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²Ãà ÃÃò²²²ÃÃÃà ° à Ãà ÃÃÃÃà à à ²Ã²²²ÃÃà ÃÃÃò²²²²²²ÃÃÃÃÃÃÃà ÃÃà ÃÃà ÃÃà ²à ° ÃÃà à ÃÃÃÃÃÃÃò²²²²²²²±±±°°° ° òÃÃà ÃÃà ²²à ²Ã²²ÃÃÃÃÃà ÃÃÃÃà ² Ãà à ° Ãò²²ÃÃÃÃÃÃÃÃÃÃÃÃÃÃà ± ÃÃÃò²²²ÃÃÃÃÃÃÃÃÃà ° ARTiST.......: q-tip ÃÃò²ÃÃÃà ° ALBUM........: the renaissance à à ò²à ° GENRE........: rap TRACKS...: 12 òà ò² °Ãà RELEASE DATE.: 00/00/2008 SiZE.....: 51,1 MB ²²²à ò ±ÃÃà YEAR.........: 2008 SOURCE...: cdda ò²²à ²à ²²à LABEL........: Universal QUALiTY..: lame3.97 V2 ÃÃò²Ãà ±² ²à PLAYTIME.....: 43:17 min ò²²ÃÃÃà à ±à ² à ò²ÃÃà °à ² ÃÃÃà à ò²à à °à ² ÃòÃà à òà à òà ÃÃà ²Ãà ° ÃÃÃà Ãà à ²ÃÃÃòà à òÃà ± Ãà à ò ²à ÃòÃÃà à Ãà ò²ÃÃÃà òÃòÃà òÃòÃà ° à à ² ² à ²Ã²° ÃÃÃÃÃÃÃòÃÃÃÃÃÃÃÃà Ãà ²Ãà òà ÃòÃà à Ãà Ãò ² Ãà ²ÃÃà à Ãò òÃÃòÃÃòÃÃà Ãð²ÃÃÃÃÃÃÃÃà ÃÃà òÃà ò ²²Ãà à ÃÃÃà Ãòòà Ãà ò± Ãò²ÃÃÃò²Ã±²Ã²Ãà òà ÃÃà ÃÃÃÃÃà à ² ²ÃÃà ÃÃòà ÃÃÃà Ãà ÃÃÃà ÃÃà ÃÃÃÃÃò²²±° ²²ÃÃÃÃà ÃÃò° Ãà ò òÃÃà ÃÃà Ãò²Ãà à Ãà à Ãà ° òÃòÃÃÃà ò²Ã° Ãòà òÃÃòÃÃÃÃÃòà à Ãà ÃòÃà ÃÃÃà ÃÃò ° ÃÃò²²²ÃÃà ò²²²Ãà ° ±° °± ²± ±² ò ²à Ãà Ãà Ãà Ãà Ãà 01. johnny is dead 03:02 Ãà Ãà 02. wont trade 02:41 Ãà Ãà 03. gettin up 03:18 Ãà Ãà 04. official 03:19 Ãà Ãà 05. you 03:02 Ãà Ãà 06. we fight / love (feat. raphael saadiq) 04:47 Ãà Ãà 07. manwomanboggie (feat. amanda diva) 03:06 Ãà Ãà 08. move 05:49 Ãà Ãà 09. dance on glass 03:02 Ãà Ãà 10. life is better (feat. norah jones) 04:41 Ãà Ãà 11. believe (feat. d&#039;angelo) 02:57 Ãà Ãà 12. shaka 03:33 Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà à Ãà ÃÃà Ãà Ãà Ãà òà Total: 43:17 min Ãà òÃÃà à à Ãà ²± òà Ãà Ãà ±° ²à Ãà ÃÃà ° ÃÃÃÃÃÃà à Ãà ÃÃà ÃÃà à à à à ÃÃà òà ÃÃà ÃÃà Ãà ÃÃÃà ÃÃÃà òÃà ÃòÃà Ãà ±² ÃÃà ÃÃà °²Ã²à ÃòÃÃòà òÃÃÃÃÃÃÃà ÃÃòòÃà ò²ÃÃà °± ° à òÃà °²ÃÃòà ÃòÃÃòà ÃÃòÃò°ÃÃÃÃÃò°Ã²Ãà à Ãà à ò²ÃÃà ° ±° òà òÃÃò² òÃò°ÃÃà ÃòÃòÃÃÃà ÃÃñ ÃÃà òÃà ÃÃÃà Ãò²à ²à ²± Ã²à ± ±Ãà ÃòÃÃÃÃà Ãò²ÃÃÃÃÃà ÃÃòÃÃà ÃÃÃÃòà ÃÃò²²Ãà òà ò ÃÃÃà ° ° ÃÃò²à ÃòñÃòÃòÃÃÃÃÃÃòà ÃÃòÃÃÃÃÃñ òà ÃÃÃà Ã²à ° òÃòà ÃÃÃà ò²ÃÃà ° ÃÃà ° Ãà °à à ÃÃòÃà Ãà à °± ÃÃà à à ±² Ãà ²à Ãà Ãà Ãà Ãà Ãà Modern hip-hop and R&B music can both arguably be divided Ãà Ãà into pre- and post-A Tribe Called Quest, and the musical Ãà Ãà efforts of its lead MC and producer Kamaal Ibn John Ãà Ãà Fareed--better known to the world as Q-Tip. Consider the Ãà Ãà jazzy sampling, laid-back tempos and boho-chic vibe he Ãà Ãà introduced, then mull over the bohemian posturing and Ãà Ãà sounds of the neo-soul movement, plus any rap music that Ãà Ãà shies away from hardcore posturing. All roads lead back to Ãà Ãà ATCQ and the beats, rhymes and life of one man: Q-Tip. And Ãà Ãà now the time is ripe for The Renaissance, the Abstract Ãà Ãà MC&#039;s first solo album in nine years. Ãà Ãà Ãà Ãà Back when rap production was all about James Brown samples Ãà Ãà and dense, agitated sonic collages, Q-Tip was digging Ãà Ãà deeper into the record crates for snatches of stand-up Ãà Ãà bass and obscure jazz. The influence of that first sonic Ãà Ãà renaissance is still being heard. "I see the Tribe legacy Ãà Ãà as one of the strongest in modern music," Q-Tip admits. Ãà Ãà "From us came so many artists, like Common, Mos Def, Talib Ãà Ãà Kweli, the Fugees and Kanye West. I feel very honored to Ãà Ãà have been able to contribute in such a way that, 20 years Ãà Ãà later, it still is a reference point." Produced primarily Ãà Ãà by Q-Tip with plenty of live instrumentation and a love Ãà Ãà fixation, The Renaissance is a stark portrait of the Ãà Ãà artist as an elder statesman. One listen to the frenetic Ãà Ãà drumming and strutting live bassline of a track like Ãà Ãà "ManWomanBoogie" reveals that Q-Tip is on a mission to Ãà Ãà create original music as timeless as the tracks he used to Ãà Ãà sample once upon a time. It&#039;s also obvious that the title Ãà Ãà of his latest album is no accident. "The Renaissance is Ãà Ãà significant because for some time now people have Ãà Ãà questioned the integrity of hip-hop," he reveals. "I feel Ãà Ãà like the time is ideal for something that has a Ãà Ãà revisionist spirit to it." Taking the same type of Ãà Ãà nonconformist risks as Stevie Wonder, John Lennon and the Ãà Ãà mavericks of other music genres, Q-Tip has always gone Ãà Ãà left when it comes to his position in hip-hop culture. Ãà Ãà People&#039;s Instinctive Travels and the Paths of Rhythm, the Ãà Ãà 1990 debut of A Tribe Called Quest, introduced Q-Tip&#039;s Ãà Ãà iconoclast stance. The 20-year-old emceed about Ãà Ãà vegetarianism, French expatriates and domestic violence at Ãà Ãà a time when (then as now) other more standard rappers&#039; Ãà Ãà topics were marching lockstep in comparison. Yet he always Ãà Ãà made absolutely sure to charm the Bonita Applebums and Ãà Ãà practice the art of moving butts. The Renaissance goes to Ãà Ãà show that the more things change, the more they stay the Ãà Ãà same. On "Life Is Better," singer Norah Jones helps Q-Tip Ãà Ãà give a unique spin on the hip-hop love song: a love of Ãà Ãà hip-hop itself, that is. "The state of hip-hop is in Ãà Ãà conception now," he says, discussing the regeneration and Ãà Ãà renaissance of the culture. "Something else is happening Ãà Ãà to it and there&#039;s a new approach, a rebirth that&#039;s going Ãà Ãà on. One of the many cool things about the digital world is Ãà Ãà that it has grown the appetite for good music. Now people Ãà Ãà can find an obscure Beatles song or an EPMD remix online, Ãà Ãà so everyone is becoming more hip." Q-Tip&#039;s love of hip-hop Ãà Ãà only rivals his love for the opposite sex, an adoration Ãà Ãà that&#039;s clear and evident on tracks like "Believe" Ãà Ãà featuring D&#039;Angelo, or The Renaissance&#039;s first single, Ãà Ãà "Gettin&#039; Up": "I like to watch everybody gravitate towards Ãà Ãà you/Your magnetic presences make them come through/The Ãà Ãà same way you got them, you got me too." Love talk is all Ãà Ãà around The Renaissance, but Q-Tip remains as Ãà Ãà characteristically diverse as ever. "Fight/Love" with Ãà Ãà Raphael Saadiq, for example, alludes to the ever-present Ãà Ãà realities of the Iraq War. The sole track handled by a Ãà Ãà producer other than Q-Tip himself is "Move," a Ãà Ãà hyper-kinetic pastiche of diced-up Jackson 5&#039;s "Dancing Ãà Ãà Machine" courtesy of the late, great J. Dilla. "A Tribe Ãà Ãà Called Quest is no more," says Q-Tip, putting a cap on Ãà Ãà rumors sparked by their recent reunion shows on the recent Ãà Ãà Rock the Bells Tour. Yet hardcore fans will still recall Ãà Ãà J. Dilla&#039;s participation in The Ummah, the production team Ãà Ãà (also including Q-Tip and DJ Ali Shaheed Muhammad) that Ãà Ãà handled full chores on the final two ATCQ albums. "Move" Ãà Ãà comes closest to reviving the head-nodding kick of A Tribe Ãà Ãà Called Quest, a fitting testament to the funky skills of Ãà Ãà James "J. Dilla" Yancey. Q-Tip is in his own extremely Ãà Ãà capable hands for the remainder of The Renaissance. Long Ãà Ãà known as a grand talent behind recording-studio mixing Ãà Ãà boards, Q-Tip has blessed a number of diverse artists with Ãà Ãà beats throughout his 20-year career: Nas, Mariah Carey, Ãà Ãà Mobb Deep, Whitney Houston. Since his start on the Jungle Ãà Ãà Brothers&#039; 1988 "Black Is Black," music fans have waited on Ãà Ãà solo Q-Tip in one form or another. His 1999 Amplified Ãà Ãà debut album--produced largely by J. Dilla and featuring Ãà Ãà the career-defining hip-pop hits "Vivrant Thing" and Ãà Ãà "Breathe and Stop"--still left many wondering how Q-Tip Ãà Ãà would sound without commercial constraints. His nine-year Ãà Ãà time delay (Kamaal the Abstract was recorded but went Ãà Ãà unreleased in the interim) may bring to mind other Ãà Ãà missing-in-action masters of the hip-hop craft, but Q-Tip Ãà Ãà insists it&#039;s all good. "There hasn&#039;t been a delay," he Ãà Ãà says, "and I think I can speak for myself, Lauryn Hill, Ãà Ãà Erykah Badu and D&#039;Angelo when I say that we make music Ãà Ãà when the spirit is with us. We are a lot who are very Ãà Ãà observant as well as introspective. We paint intense, Ãà Ãà colorful pictures, so it takes time." Some of that time Ãà Ãà has been spent chasing the acting jones Q-Tip established Ãà Ãà locking lips with Janet Jackson in director John Ãà Ãà Singleton&#039;s 1993 Poetic Justice. In films like Ãà Ãà Disappearing Acts (2000), Prison Song (2001) and Spike Ãà Ãà Lee&#039;s She Hate Me (2004), Q-Tip expresses another side of Ãà Ãà his renaissance-man persona, holding his own against Ãà Ãà actors like Sanaa Lathan and Anthony Mackie. "When I Ãà Ãà recorded my first album, I was 19," Q-Tip says. "So I was Ãà Ãà very much in the moment and did not think about my career Ãà Ãà past the following year. I knew I loved what I did and had Ãà Ãà big fun, but I never imagined this." The Renaissance marks Ãà Ãà the return of one of the most recognizable voices and Ãà Ãà individualist figures in all of hip-hop. At this moment Ãà Ãà for change in the hip-hop nation and the nation at large, Ãà Ãà The Renaissance could not have come at a more appropriate Ãà Ãà moment. Leave it to Q-Tip to be right on time. Ãà Ãà Ãà Ãà Ãà Ãà The album mixes soul beats, piano, guitars, and Q-Tip&#039;s Ãà Ãà usual thoughtprovoking lyricism, which takes you on a trip Ãà Ãà from relationships and summer songs to social issues of Ãà Ãà late, and has a kind of &#039;90s feel to it. "The Renaissance" Ãà Ãà features Raphael Saadiq, Norah Jones, D&#039;Angelo and Amanda Ãà Ãà Diva. Ãà Ãà Ãà Ãà Ãà Ãà Ãà Ãà Url: www.q-tipnetwork.ning.com Ãà Ãà Ãà Ãà Ãà ÃÃà Ãà Ãà Ãà òà Ãà ²± Ãà à Ãà ±° Ãà à °à ²à ° ÃòÃà Ãà à °²à ±² Ãòà Ãòà à à ÃÃÃà °± ò²à ò²à ÃÃòÃà à à Ãà ÃÃÃÃÃÃÃà à à à ° ò²à ò²à ò²Ãà ÃÃÃÃÃÃÃÃÃÃà ÃÃÃÃÃÃÃà ÃÃà ÃòÃÃÃÃà ÃÃà ÃÃà ° ò²Ãà ÃÃò²Ãà ÃÃòÃà òÃÃÃÃÃà ò²à Ãò° à à ÃÃòà òà Ãò ±° ÃÃò²ÃÃòÃÃà ÃÃòòò° Ãà ò²à òÃÃÃò° ÃðÃÃÃà ò²à Ãòà ÃÃñ ²± ÃÃÃÃÃÃÃÃÃò°ÃÃÃà ò²Ãà ÃÃÃÃà ÃÃÃà ñ°²ÃÃÃÃà à Ãà ÃÃÃÃÃòð ò ÃÃòà à ÃÃÃÃÃÃÃà ÃÃÃà ÃòòÃÃÃÃÃÃò²ÃÃÃà Ã²à ° Ãà Ãà ò²ÃÃ²à ²ÃÃÃà Ãð °± Ãà ò òà ÃÃà ±² Ãà ± ð òà Ãà ° Ãà Ãà ÃÃà Ãà Ãà Ãà Ãà Ãà GREETINGS: Ãà Ãà Ãà Ãà CMS * MOD * uC * hbZ * OMA Ãà Ãà Ãà ²à ò ÃÃà °°° ° ÃÃà Ã&Ac </pre>
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  00-q-tip_-_the_renaissance-2008-cover-ysp.jpg 1 MB
  00-q-tip_-_the_renaissance-2008-ysp.m3u 0.4 KB
  00-q-tip_-_the_renaissance-2008-ysp.nfo 26.7 KB
  00-q-tip_-_the_renaissance-2008-ysp.sfv 0.9 KB
  01-q-tip_-_johnny_is_dead-ysp.mp3 4.2 MB
  02-q-tip_-_wont_trade-ysp.mp3 2.8 MB
  03-q-tip_-_gettin_up-ysp.mp3 4 MB
  04-q-tip_-_official-ysp.mp3 4 MB
  05-q-tip_-_you-ysp.mp3 3.4 MB
  06-q-tip_-_we_fight_-_love_(feat._raphael_saadiq)-ysp.mp3 5.2 MB
  07-q-tip_-_manwomanboggie_(feat._amanda_diva)-ysp.mp3 3.8 MB
  08-q-tip_-_move-ysp.mp3 6.6 MB
  09-q-tip_-_dance_on_glass-ysp.mp3 3.6 MB
  10-q-tip_-_life_is_better_(feat._norah_jones)-ysp.mp3 5.8 MB
  11-q-tip_-_believe_(feat._dangelo)-ysp.mp3 3.4 MB
  12-q-tip_-_shaka-ysp.mp3 4.3 MB



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