Comments:
ARTiST: Josh Pyke<br />
ALBUM: Chimney's Afire<br />
BiTRATE: 177kbps avg<br />
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 --vbr-new / 44.100Khz<br />
LABEL: Ivy League<br />
GENRE: Pop<br />
SiZE: 59.74 megs<br />
PLAYTiME: 0h 44min 55sec total<br />
RiP DATE: 2008-09-09<br />
STORE DATE: 2008-10-03<br />
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Track List:<br />
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01. Chimney's Afire 1:22<br />
02. You Don't Scare Me 3:40<br />
03. The Summer 3:25<br />
04. The Lighthouse Song 3:35<br />
05. Candle in Your Window 3:15<br />
06. Variations 2:53<br />
07. Make You Happy 2:58<br />
08. Our House Breathing 3:11<br />
09. Even In Corners 2:43<br />
10. Don't Wanna Let You Down 3:41<br />
11. Parking Lots 2:57<br />
12. Eat Me Alive 3:51<br />
13. New Year's Song 3:51<br />
14. Where Two Oceans Meet 3:33<br />
<br />
Release Notes:<br />
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‘Chimney's afire’ is the cry whalers of yesteryear made when they harpooned a<br />
whale and a plume of blood and water spurted out of its blowhole into the air.<br />
“It's a horrifying, brutal image, but the actual language is evocative and quite<br />
amazing,” says Josh Pyke of the title of his new album, the follow-up to his<br />
ARIA Award winning debut ‘Memories & Dust’.<br />
While Pyke’s interest primarily lies in the language of the time rather than the<br />
act of whaling itself, references of a nautical nature flow through the album.<br />
“I've always been interested in maritime history... my ancestors were all<br />
whalers and Navy men, so I feel some kind of pull for that kind of life and<br />
history,” he says.<br />
Maritime themed books about Magellan, Moby Dick and Joshua Slocum’s solo voyage<br />
around the world contributed to the imagery in the songs as well as childhood<br />
reminiscences and stories.<br />
“Ever since I was a kid reading adventure books, especially Huckleberry Finn,<br />
I've always had the desire to jump on a raft and disappear down a river,” says<br />
Pyke. “When I was growing up there was a beach town called Patonga that my<br />
family would go to every year. The song ‘The Summer’ is based on that town.<br />
Everyday I'd jump in a canoe and paddle up the river and set crab traps, or jig<br />
for squid from the wharf or get my dad to drive me to the next town to go<br />
surfing. I always think of those simple pleasures as the ultimate happiness, and<br />
so I think I relate solid, seafaring adventuring tales as the romantic,<br />
alternate universe that I'd want to live in if I was ever to throw it all away<br />
and disappear.”<br />
<br />
The album is more than a simple ode to seafaring though. Pyke traverses an ocean<br />
of memories, ideas and thoughts about everyday concerns, with stability and the<br />
notion of making up your own mind emerging as overriding themes.<br />
He explores the concept of a home, what it means and why it's important; fate,<br />
and whether there is a plan for us all; getting older and what it means to<br />
settle down; responsibility; being careless or careful with people and the<br />
legacy one leaves when they go. While these concepts aren’t exactly unchartered<br />
musical territory, it’s Pyke’s unique way with words, sense of melody and quirky<br />
song structures though that set him apart from other singer/songwriters.<br />
<br />
With ‘Chimney’s Afire’, Pyke is set to anchor himself as one Australia’s most<br />
talented artists. While he co-produced ‘Memories & Dust’ with Wayne Connolly<br />
(resulting in an ARIA Award for Producer of the Year), this time around he<br />
recorded and produced the majority of the record himself. In the studio, Pyke<br />
would perform the songs then dash into the control room to compile in Pro-Tools,<br />
as well as arrange the songs and direct the additional musicians.<br />
“The main challenge was switching roles a million times a day and not losing<br />
that sense of fun when I was doing the performance side, and not losing the<br />
sense of objectivity when I had my producer’s hat on.”<br />
While other artists have chosen to self-produce records because they haven’t<br />
been happy with earlier albums, this wasn’t the case for Pyke.<br />
“I’ve learned so much from people like Wayne Connolly, and I want to produce<br />
other artists in the future, so it seemed like the natural progression to<br />
develop my skills on my own record. At least that way if I was no good it'd be<br />
my own record and not someone else’s that I'd be ruining!”<br />
Both Connolly and Paul McKercher (Augie March, You Am I) co-produced a pair of<br />
songs each, while the album was mixed by both Rob Schnapf (Elliott Smith, Beck,<br />
The Vines) in Los Angeles and McKercher in Sydney.<br />
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