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ARTIST: Blues Traveler<br />
TITLE: North Hollywood Shootout<br />
LABEL: Verve<br />
GENRE: Rock<br />
BITRATE: 190kbps avg<br />
PLAYTIME: 0h 42m total<br />
RELEASE DATE: 2008-08-26<br />
RIP DATE: 2008-08-06<br />
<br />
Track List<br />
----------<br />
1. Forever Owed 4:43<br />
2. You, Me and Everything 4:21<br />
3. Love Does 3:31<br />
4. Borrowed Time 3:38<br />
5. The Beacons 3:14<br />
6. Orange in the Sun 3:53<br />
7. What Remains 4:48<br />
8. How You Remember It 4:06<br />
9. The Queen of Sarajevo 4:00<br />
10. Free Willis, Ruminations from 5:51<br />
Behind Uncle Bob's Machine Shop<br />
<br />
Release Notes:<br />
<br />
It's not every band that's still staking out new musical territory and embracing<br />
fresh challenges more than 20 years into their career, but that's the case with<br />
Blues Traveler. Having long ago graduated from the jam-band underground to<br />
mainstream stardom, the iconoclastic combo has consistently stuck to its guns<br />
and played by its own rules.<br />
<br />
For their new release (and Verve Forecast debut) North Hollywood Shootout, the<br />
quintet ventured out of their creative comfort zone to explore some adventurous<br />
new horizons. The resulting album is a landmark in Blues Traveler's large and<br />
widely loved body of work, demonstrating the enduring strengths of the band's<br />
songwriting while capturing the spontaneous spirit of their legendary live<br />
shows.<br />
<br />
The aforementioned body of work encompasses eight studio albums and four live<br />
discs, six of them certified Gold or Platinum, with combined worldwide sales of<br />
more than ten million units. The band's best-known single, "Run-Around," was the<br />
longest-charting radio single in Billboard history. Along the way, the band has<br />
played more than 2000 live shows in front of more than three million people.<br />
<br />
"We're still trying to reconcile the different things we do, and cultivate what<br />
we're individually good at into something that's bigger than the sum of its<br />
parts," notes frontman and harmonica-slinger John Popper. "When we're all<br />
playing and it's working, it becomes this separate entity, and that's still the<br />
thing that we're chasing."<br />
<br />
North Hollywood Shootout -- produced by Grammy-winner David Bianco, whose<br />
diverse resume includes work with the likes of Tom Petty and the Heartbreakers,<br />
Ozzy Osbourne, Mick Jagger and Teenage Fanclub -- makes a strong case for Blues<br />
Traveler's timelessly vital writing and performing abilities. Such memorable<br />
tunes as the uplifting road-trip anthem "You, Me and Everything," the playfully<br />
romantic "Love Does" and the elegant, evocative "Orange in the Sun" boast<br />
infectious melodic hooks while showcasing the interactive instrumental chemistry<br />
that originally endeared the band to its rabidly devoted fan base.<br />
<br />
The new material also makes a strong case for the introspective side that's<br />
always been a key element of lyricist Popper's persona. The heart-tugging lyrics<br />
of the opening track "Forever Owed" were inspired by the singer's recent USO<br />
trip to Afghanistan and Iraq, while the poignant "Borrowed Time" is a<br />
bittersweet meditation on mortality and transience, inspired both by the recent<br />
passing of bandmates Chan and Tad Kinchla's father, and by Popper's feelings for<br />
his beloved and aging dog. The album's biggest sonic curveball is its closing<br />
track, "Free Willis, Ruminations from Behind Uncle Bob's Machine Shop." The<br />
six-minute spoken-word sound collage finds the band jamming over an insistent<br />
drumbeat, while actor Bruce Willis, a longtime fan and friend, delivers a<br />
colorful freeform monologue/rant.<br />
<br />
"Free Willis" is a particularly aggressive embodiment of the creative risks that<br />
the ever-restless quintet took in writing and recording North Hollywood<br />
Shootout. Rather than fall back on established routines, the musicians<br />
challenged themselves by adopting some new working methods.<br />
<br />
As guitarist Chan Kinchla explains, "On the last few records, we concentrated so<br />
much on the craft of the songwriting and arrangements that we started losing<br />
some of the live spontaneity that the five of us created on stage. So on this<br />
album, instead of doing the usual pre-production process, where we really worked<br />
out the songs before taking them into the studio, we decided to go straight into<br />
the studio and do the songwriting there. We recorded all the parts as we were<br />
working them out, and then build the songs from there. We'd find a cool little<br />
pocket and jam on it, or there'd be a drumbeat or a guitar part that was really<br />
happening, and we'd take the best part of that and use it as the foundation of<br />
the song."<br />
<br />
"That was a completely new way of working for us," Kinchla asserts, "but it
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