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The_Beatles_-_Big_Beat_Box_(Collectors_Edition)-CD-2008-USZ

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The_Beatles_-_Big_Beat_Box_(Collectors_Edition)-CD-2008-USZ
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Size:

52 MB
Seeds/Leechs:

7/0 Check it now
Added:

02/10/2008
Last check:

2009-06-08 12:22:55
Tracker:

http://vip.tracker.thepiratebay.org:80
Comments:

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                   ▓ █▓▓█ ██▓█ █ > The Beatles - Big Beat Box (Collectors Edition) █ █▓██ █▓██ █ █ ██▓█ ██▓█ █ Artist...[ The Beatles █ █▓██ ████ █ Title....[ Big Beat Box (Collectors Edition) █ ████ ▀██ █ Genre....[ Rock █ ██▀ █ █ Year.....[ 2008 █ █ █ █ Encoder..[ LAME3.97 (-V2 --vbr-new) █ █ █ █ Bitrate..[ VBRkbps █ █ █ █ Quality..[ Joint-Stereo █ █ ▄██ █ kHz......[ 44.1kHz █ ██▄ █░█ █ Source...[ CDDA █ █░█ █▒█ █ Date.....[ Feb-09-2008 █ █▒█ █▓█ █ Type.....[ Album █ █▓█ █▒█ █ Size.....[ 52,1 MB █ █▒█ █▓█ █ Lable....[ WHE International █ █▓█ █▓█ █ Cat.Nr...[ n/a █ █▓█ ███ █ URL......[ www.beatles.com █ ███ ▀█ ▀▄ ▄▀ █▀ ██▄ ▀▄ ▄▀ ▄██ ▓███▄ ▀▄ ▄▀ ▄███▓ ▓▀▓███▄ ▀▄ ▄▀ ▄███▓▀▓ ▒ █▓███▄ ▄ ▄ ▄███▓█ ▒ ░ ▄ ▀▓███▄ ▀ ▀ ▄███▓▀ ▄ ░ ░ ██ ▒▀▓███▄ ███▄ ███▄ ███▄ ███▄ ██ █ ██ ██ ███▄ ███▄ ▄███▓▀▒ ██ ░ ░ ██ ░ ▀▓██ ██ ██ █ ██ █ ██ ██ █ ██ ▄▄ ██▄▄ ██ ██▓▀ ░ ██ ░ ▄▄▄██▄▄▄▄██▀ ▄ ██ ██▀▄ ██▀█ ██▄▄ ██▀▄ ██▄▄ ██ ▄▄▄█ ██ ▄ ▄ ▀██▄▄▄▄██▄▄▄ ▄████▀▀▀▀▀▀▀ ▄▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▀▄ ▀▀▀▀▀▀▀████▄ ████▀ ▄▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▄ ▀████ █░██ █ Nr. ARTIST/TRACK. Time. █ ██░█ █░░█ █ --------------------------------------------------------------- █ █░░█ █░▒█ █ 01 in spite of all the danger 02:17 █ █▒░█ █░▒█ █ 02 a taste of honey 02:05 █ █▒░█ █░▒█ █ 03 words of love 02:10 █ █▒░█ █░▒█ █ 04 anna (go to him) 02:58 █ █▒░█ █░▒█ █ 05 in spite of all the danger 02:15 █ █▒░█ █░▒█ █ 06 roll over beethoven 03:11 █ █▒░█ █░▒█ █ 07 behind the bit 02:05 █ █▒░█ █░▒█ █ 08 sgt. peppers lhc band 02:10 █ █▒░█ █░▒█ █ 09 with a little help from my friends 04:01 █ █▒░█ █░▒█ █ 10 lucy in the sky with diamonds 04:31 █ █▒░█ █░▒█ █ 11 i am the walrus 04:25 █ █▒░█ █░▒█ █ 12 shes leaving home 03:44 █ █▒░█ █░▒█ █ 13 got to get you into my life 02:34 █ █▒░█ █▓▓█ █ ----- █ █▓▓█ ██▓█ █ TOTAL: 38:26 min█▓██ ▀███ █ ▓ █ ███▀ ▀█ ▀▄ ▓██ ▄▀ █▀ ██▄ ▀▄ █ ▄▄▄▓████▄▄▄ █ ▄▀ ▄██ ▓███▄ ▀▄ ▄▄▓██▄▄ ▀███████▀ ▄▄▓██▄▄ ▄▀ ▄███▓ ▓▀▓███▄ ▀▄ ▀███▀ ▓████ ▀███▀ ▄▀ ▄███▓▀▓ ▒ █▓███▄ ▄ ▓████ ▓██▀███ ▓████ ▄ ▄███▓█ ▒ ░ ▄ ▀▓███▄ ▀ ▀▀ ▀▀ ▀▀▀ ▀▀▀ ▀▀ ▀▀ ▀ ▄███▓▀ ▄ ░ ░ ██ ▒▀▓███▄▄ ███▄ ██ ███▄ █▄ █ ███▄ ███▄ ███▄ ███▄ ▄▄███▓▀▒ ██ ░ ░ ██ ░ ▀▓██▀▀▀ ██ █ ██ ██▄▄ ██▀█ ██ █ ██ ██▄ ██▄▄ ▀▀▀██▓▀ ░ ██ ░ ▄▄▄██▄▄▄▄██▀ ▄ ██▀▄ ██▄▄ ▄▄▄█ ██ █ ██▄█ ██ ██▄▄ ▄▄▄█ ▄ ▀██▄▄▄▄██▄▄▄ ▄████▀▀▀▀▀▀▀ ▄▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▀▄ ▀▀▀▀▀▀▀████▄ ██░█▀ ▄▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▄ ▀█░██ █░▒█ █ █ █▒░█ █░▓█ █ So much has been said and written about the Beatles -- and █ █▓░█ █░▓█ █ their story is so mythic in its sweep -- that it's difficult to █ █▓░█ █░▓█ █ summarize their career without restating clich?s that █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ have already been digested by tens of millions of rock fans. To █ █▓░█ █░▓█ █ start with the obvious, they were the greatest and most █ █▓░█ █░▓█ █ influential act of the rock era, and introduced more █ █▓░█ █░▓█ █ innovations into popular music than any other rock band of the █ █▓░█ █░▓█ █ 20th century. Moreover, they were among the few artists of any █ █▓░█ █░▓█ █ discipline that were simultaneously the best at what they did █ █▓░█ █░▓█ █ and the most popular at what they did. Relentlessly imaginative █ █▓░█ █░▓█ █ and experimental, the Beatles grabbed a hold of the █ █▓░█ █░▓█ █ international mass consciousness in 1964 and never let go for █ █▓░█ █░▓█ █ the next six years, always staying ahead of the pack in terms █ █▓░█ █░▓█ █ of creativity but never losing their ability to communicate █ █▓░█ █░▓█ █ their increasingly sophisticated ideas to a mass audience. █ █▓░█ █░▓█ █ Their supremacy as rock icons remains unchallenged to this day, █ █▓░█ █░▓█ █ decades after their breakup in 1970. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ Even when couching praise in specific terms, it's hard to █ █▓░█ █░▓█ █ convey the scope of the Beatles' achievements in a mere █ █▓░█ █░▓█ █ paragraph or two. They synthesized all that was good about █ █▓░█ █░▓█ █ early rock & roll, and changed it into something original and █ █▓░█ █░▓█ █ even more exciting. They established the prototype for the █ █▓░█ █░▓█ █ self-contained rock group that wrote and performed its own █ █▓░█ █░▓█ █ material. As composers, their craft and melodic inventiveness █ █▓░█ █░▓█ █ were second to none, and key to the evolution of rock from its █ █▓░█ █░▓█ █ blues/R&B-based forms into a style that was far more eclectic, █ █▓░█ █░▓█ █ but equally visceral. As singers, both John Lennon and Paul █ █▓░█ █░▓█ █ McCartney were among the best and most expressive vocalists in █ █▓░█ █░▓█ █ rock; the group's harmonies were intricate and exhilarating. As █ █▓░█ █░▓█ █ performers, they were (at least until touring had ground them █ █▓░█ █░▓█ █ down) exciting and photogenic; when they retreated into the █ █▓░█ █░▓█ █ studio, they were instrumental in pioneering advanced █ █▓░█ █░▓█ █ techniques and multi-layered arrangements. They were also the █ █▓░█ █░▓█ █ first British rock group to achieve worldwide prominence, █ █▓░█ █░▓█ █ launching a British Invasion that made rock truly an █ █▓░█ █░▓█ █ international phenomenon. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ More than any other top group, the Beatles' success was very █ █▓░█ █░▓█ █ much a case of the whole being greater than the sum of its █ █▓░█ █░▓█ █ parts. Their phenomenal cohesion was due in large degree to █ █▓░█ █░▓█ █ most of the group having known each other and played together █ █▓░█ █░▓█ █ in Liverpool for about five years before they began to have hit █ █▓░█ █░▓█ █ records. Guitarist and teenage rebel John Lennon got hooked on █ █▓░█ █░▓█ █ rock & roll in the mid-'50s, and formed a band, the Quarrymen, █ █▓░█ █░▓█ █ at his high school. Around mid-1957, the Quarrymen were joined █ █▓░█ █░▓█ █ by another guitarist, Paul McCartney, nearly two years Lennon's █ █▓░█ █░▓█ █ junior. A bit later they were joined by another guitarist, █ █▓░█ █░▓█ █ George Harrison, a friend of McCartney. The Quarrymen would █ █▓░█ █░▓█ █ change lineups constantly in the late '50s, eventually reducing █ █▓░█ █░▓█ █ to the core trio of guitarists, who'd proven themselves to be █ █▓░█ █░▓█ █ the best musicians and most personally compatible individuals █ █▓░█ █░▓█ █ within the band. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ The Quarrymen changed their name to the Silver Beatles in 1960, █ █▓░█ █░▓█ █ quickly dropping the "Silver" to become just the Beatles. █ █▓░█ █░▓█ █ Lennon's art college friend Stuart Sutcliffe joined on bass, █ █▓░█ █░▓█ █ but finding a permanent drummer was a vexing problem until Pete █ █▓░█ █░▓█ █ Best joined in the summer of 1960. He successfully auditioned █ █▓░█ █░▓█ █ for the combo just before they left for a several-month stint █ █▓░█ █░▓█ █ in Hamburg, Germany. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ Hamburg was the Beatles' baptism by fire. Playing grueling █ █▓░█ █░▓█ █ sessions for hours on end in one of the most notorious █ █▓░█ █░▓█ █ red-light districts in the world, the group was forced to █ █▓░█ █░▓█ █ expand its repertoire, tighten up its chops, and invest its █ █▓░█ █░▓█ █ show with enough manic energy to keep the rowdy crowds █ █▓░█ █░▓█ █ satisfied. When they returned to Liverpool at the end of 1960, █ █▓░█ █░▓█ █ the band -- formerly also-rans on the exploding Liverpudlian █ █▓░█ █░▓█ █ "beat" scene -- were suddenly the most exciting act on the █ █▓░█ █░▓█ █ local circuit. They consolidated their following in 1961 with █ █▓░█ █░▓█ █ constant gigging in the Merseyside area, most often at the █ █▓░█ █░▓█ █ legendary Cavern Club, the incubator of the Merseybeat sound. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ They also returned for engagements in Hamburg during 1961, █ █▓░█ █░▓█ █ although Sutcliffe dropped out of the band that year to █ █▓░█ █░▓█ █ concentrate on his art school studies there. McCartney took █ █▓░█ █░▓█ █ over on bass, Harrison settled in as lead guitarist, and Lennon █ █▓░█ █░▓█ █ had rhythm guitar; everyone sang. In mid-1961, the Beatles █ █▓░█ █░▓█ █ (minus Sutcliffe) made their first recordings in Germany, as a █ █▓░█ █░▓█ █ backup group to a British rock guitarist/singer based in █ █▓░█ █░▓█ █ Hamburg, Tony Sheridan. The Beatles hadn't fully developed at █ █▓░█ █░▓█ █ this point, and these recordings -- many of which (including a █ █▓░█ █░▓█ █ couple of Sheridan-less tracks) were issued only after the █ █▓░█ █░▓█ █ band's rise to fame -- found their talents in a most embryonic █ █▓░█ █░▓█ █ state. The Hamburg stint was also notable for gaining the █ █▓░█ █░▓█ █ Beatles sophisticated, artistic fans such as Sutcliffe's █ █▓░█ █░▓█ █ girlfriend, Astrid Kirchherr, who influenced all of them █ █▓░█ █░▓█ █ (except Best) to restyle their quiffs in the moptops that gave █ █▓░█ █░▓█ █ the musicians their most distinctive visual trademark. █ █▓░█ █░▓█ █ (Sutcliffe, tragically, would die of a brain hemorrhage in █ █▓░█ █░▓█ █ April 1962). █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ Near the end of 1961, the Beatles' exploding local popularity █ █▓░█ █░▓█ █ caught the attention of local record store manager Brian █ █▓░█ █░▓█ █ Epstein, who was soon managing the band as well. He used his █ █▓░█ █░▓█ █ contacts to swiftly acquire a January 1, 1962, audition at █ █▓░█ █░▓█ █ Decca Records that has been heavily bootlegged (some tracks █ █▓░█ █░▓█ █ were officially released in 1995). After weeks of deliberation, █ █▓░█ █░▓█ █ Decca turned them down as did several other British labels. █ █▓░█ █░▓█ █ Epstein's perseverance was finally rewarded with an audition █ █▓░█ █░▓█ █ for producer George Martin at Parlophone, an EMI subsidiary; █ █▓░█ █░▓█ █ Martin signed the Beatles in mid-1962. By this time, Epstein █ █▓░█ █░▓█ █ was assiduously grooming his charges for national success by █ █▓░█ █░▓█ █ influencing them to smarten up their appearance, dispensing █ █▓░█ █░▓█ █ with their leather jackets and trousers in favor of tailored █ █▓░█ █░▓█ █ suits and ties. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ One more major change was in the offing before the Beatles made █ █▓░█ █░▓█ █ their Parlophone debut. In August 1962, drummer Pete Best was █ █▓░█ █░▓█ █ kicked out of the group, a controversial decision that has been █ █▓░█ █░▓█ █ the cause of much speculation since. There is still no solid █ █▓░█ █░▓█ █ consensus as to whether it was because of his solitary, moody █ █▓░█ █░▓█ █ nature; the other Beatles' jealousy of his popularity with the █ █▓░█ █░▓█ █ fans; his musical shortcomings (George Martin had already told █ █▓░█ █░▓█ █ Epstein that Best wasn't good enough to drum on recordings); or █ █▓░█ █░▓█ █ his refusal to wear his hair in bangs. What seems most likely █ █▓░█ █░▓█ █ was that the Beatles simply found his personality incompatible, █ █▓░█ █░▓█ █ preferring to enlist Ringo Starr (born Richard Starkey), a █ █▓░█ █░▓█ █ drummer with another popular Merseyside outfit, Rory Storm & █ █▓░█ █░▓█ █ the Hurricanes. Starr had been in the Beatles for a few weeks █ █▓░█ █░▓█ █ when they recorded their first single, "Love Me Do"/"P.S. I █ █▓░█ █░▓█ █ Love You," in September 1962. Both sides of the 45 were █ █▓░█ █░▓█ █ Lennon-McCartney originals, and the songwriting team would be █ █▓░█ █░▓█ █ credited with most of the group's material throughout the █ █▓░█ █░▓█ █ Beatles' career. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ The single, a promising but fairly rudimentary effort, hovered █ █▓░█ █░▓█ █ around the lower reaches of the British Top 20. The Beatles █ █▓░█ █░▓█ █ phenomenon didn't truly kick in until "Please Please Me," which █ █▓░█ █░▓█ █ topped the British charts in early 1963. This was the prototype █ █▓░█ █░▓█ █ British Invasion single: an infectious melody, charging █ █▓░█ █░▓█ █ guitars, and positively exuberant harmonies. The same traits █ █▓░█ █░▓█ █ were evident on their third 45, "From Me to You" (a British █ █▓░█ █░▓█ █ number one), and their debut LP, Please Please Me. Although it █ █▓░█ █░▓█ █ was mostly recorded in a single day, Please Please Me topped █ █▓░█ █░▓█ █ the British charts for an astonishing 30 weeks, establishing █ █▓░█ █░▓█ █ the group as the most popular rock & roll act ever seen in the █ █▓░█ █░▓█ █ U.K. █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ █ █▓░█ █░▓█ █ What the Beatles had done was take the best elements of the █ █▓░█ █░▓█ █ rock and pop they loved and make them their own. Since the █ █▓░█ █░▓█ █ Quarrymen days, they had been steeped in the classic early rock █ █▓░█ █░▓█ █ of Elvis, Buddy Holly, Chuck Berry, Little Richard, Carl █ █▓░█ █░▓█ █
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File	Size
00-the_beatles_-_big_beat_box_(collectors_edition)-cd-2008-usz.m3u	0.6 KB
00-the_beatles_-_big_beat_box_(collectors_edition)-cd-2008-usz.nfo	61.8 KB
00-the_beatles_-_big_beat_box_(collectors_edition)-cd-2008-usz.sfv	0.7 KB
01-the_beatles_-_in_spite_of_all_the_danger.mp3	3.1 MB
02-the_beatles_-_a_taste_of_honey.mp3	2.6 MB
03-the_beatles_-_words_of_love.mp3	2.7 MB
04-the_beatles_-_anna_(go_to_him).mp3	3.6 MB
05-the_beatles_-_in_spite_of_all_the_danger.mp3	3.1 MB
06-the_beatles_-_roll_over_beethoven.mp3	4.9 MB
07-the_beatles_-_behind_the_bit.mp3	1.6 MB
08-the_beatles_-_sgt._peppers_lhc_band.mp3	3.2 MB
09-the_beatles_-_with_a_little_help_from_my_friends.mp3	5.5 MB
10-the_beatles_-_lucy_in_the_sky_with_diamonds.mp3	6.5 MB
11-the_beatles_-_i_am_the_walrus.mp3	6.2 MB
12-the_beatles_-_shes_leaving_home.mp3	5.2 MB
13-the_beatles_-_got_to_get_you_into_my_life.mp3	3.9 MB

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