Dreamcatcher experienced Cobb (DiCaprio) working retrievers - stealing ideas from someone else's subconscious, while the author is sleeping. Prestigious customer (Watanabe), persuades him to a risky gamble - do not steal, and to rood into the mind of his competitor destructive idea. Cobb takes this case - but in a strange dream, he will face not only with the opposing his consciousness, but also with the painful memories of events, which he can't accept. The magician and the magician of modern cinema, Christopher Nolan presents a daydream "Inception" - about those, whom are not enough one reality.
Nolan has always held the secrets of the human psyche. All of his films - whether it be taken off the opposite, "Memento" or magical "Prestige" or the ethics of hacking "Dark Knight" - in essence, telling one: how strangely the mind constructs the world we perceive.
"Inception" is not only an exception - it is a real peak among Nolan works and, I believe, is not the last. This film is at once the door has become a classic and the reference in the genre about mind games, and for having participated in all film artists a great success - to play in it.
The movie was also lucky with the artists. Nolan brought in the "Inception" great team of mummers played an equally fun in sleep and reality.
Joseph Gordon-Levitt and Tom Hardy on the screen constantly diving and pleasing the eye. Ellen Page in the role of constructing mazes-dream Ariadne looks like Alice, trapped in Wonderland - passing a certain timidity of the unknown and at the same time - the enthusiasm of the events. Ken Watanabe, as always, looks great, Michael Caine - awesome organic and Mariyon Cotillard is wonderful in the role of vision from dreams.
But Leonardo DiCaprio in the role of Cobb is overshadowing them all - has long become a serious dramatic actor and firmly to his own Oscar statuette. DiCaprio shows real class, making emotional empathy with his hero, and together with him doubt - you're awake or still asleep - checking with metal pegtop.
Dreams - a metaphor for old Hollywood movies, and "Inception" it is the best way possible: the film plunges into the world of dreams, and its main action - a dream. And because of this dual sleep do not want to wake up - even when the music from titers will resound in your head.
"Inception" - a dramatic film with a twist, and most of the time it is not a laughing matter. There are only a few jokes at the nodal points, which work as grounding in electrical - through laughter can reset the accumulated strain. However, the film contains many hidden irony - DiCaprio in one of the sinks again, a team of actors scattered around the levels of sleep, in accordance with the level of hypocrisy: Gordon-Levitt gets stuck on the second, and the rest go deeper - and other amenities.
Despite 150 minutes, "Inception" - surprisingly one-piece movie, extremely concentrated on the events. On the screen, do not literally come off - if you connect to a suitcase, transmitting designed dream. Do any of you tried to stop your own dream?
"Inception" is unwound as a metal peg - but not slowing down, but on the contrary, quickening its rotation. In the final awaits us most, perhaps, the longest in the history of cinema catharsis, during which sleep time to happen a film.
Many great films of our time spoiled endings - starting an artistic game, most authors lose the thread and wander off somewhere not there. "Inception" seems to be one of the major films a decade, because perfectly tailored and knows how to finish. Nolan's film presents a spectacular finale, which puts the step of your worldview.
Someone will blame this movie, that it's just a mind construction, although it plays on the field has traditionally allowed for the images: a large part of "Inception" is not just a dream, but in the depths of the subconscious, and any on-site Nolan had to gush crazy symbolism. But Nolan started with the root of the idea in someone else's brain, not because he wanted to impress the imagination - for this movie is too real - and to grow something in your mind.
Masterly construction of "Inception" sometimes even frightening - when you catch a picture sleeve suspicion that the introduction - not in the movie, but the film itself. Nolan, an experienced magician captivates the attention of an incredible duel in the corridor with a displaced gravity, wrapped in a roll city and exploding bookstores - while he deftly turns your mind, pulling him through non-specific idea.
"The idea - the most dangerous thing in the world, because it's a virus" - we figured out the words of Cobb - DiCaprio. Even a tiny grain of the idea, once in the brain, has not let go - and will turn over time either in the indispensable support, or a deadly trap.
And when at the end of "Inception"Âť all is synchronized, and all the elements line up as the figures on the board, it will be clear with what Nolan started. Thought about global unquenchable creativity for many is too abstract - and the director put it clearer and more accessible.
Movie- illusion, and, leaving the theater, we often do not remember for what we came. Illusion, in contrast to the fantasy, has quite visible and readable limits. Nolan's film is like a time bomb lay in our heads ideas, that the movie is no longer ends at the credits. This is an ideal form and execution injection fantasies - about the fact that when you get out of the theater, movie will follow you.